Here are some more sketches from my current cafe sketching booklet. I am currently putting in some more backgrounds rather than letting my people float on the blank page. Some work better than others.
The latest ‘blockbuster’ exhibition at the National Museum of Australia is ‘Rome’, something of a novelty for those of us who live far away from the marching legions. The exhibition is from the collection of the British Museum.
Head of Faustina
Luckily for us the British Museum has packed up plenty of booty and sent it down under. The sculptures are the most impressive elements of the show. I was particularly intrigued by the decorative detail on the armour of Hadrian.
I had lots of fun trying to capture those details with my pencil. The watercolour background was added in while we were having lunch in the cafe.
A more poignant statue was a commemorative work of a woman holding a bust of her, presumably dead husband. A nice touch was a small figure at her left shoulder, which is carved like the end of a sofa (see the photo below), which concealed a vase for placing flowers.
I was interested to see that many of the pieces in the exhibition were excavated in the British Isles, which was a bit different from what I had expected. Many visitors were particularly taken by the coin hoardes and the legionary’s helmet.
The fun will continue until 3 February 2019. Until then signs on our local roadways are reminding us that ‘all roads lead to Rome’.
Behold my beautiful colour swatch! If you look closely you will see that this is two colour swatches, with some slightly different colours in each.
I can’t say that I am very good at making ‘proper’ swatches. Indeed I think this is the first time I have done this since going to art school.
l was spurred on to paint this chart while watching one of Teoh Yi Chie (aka Parka) Parka blog’s videos where he demonstrated that one of the uses of a colour swatch was to work out if two ‘similar’ colours were worth keeping in your palatte.
Given my inability to stop adding new colours to my palette I thought a bit of testing might be in order.
In this case Cobalt Light Turquoise (3rd from the top right) and Cobalt Turquoise Green (4th from the bottom left), looked similar in the tube but gave different results when mixing. In contrast Burnt Umber (2nd from the left on the top row) and Quinacridone Burnt Orange (2nd down on the left hand side), mixed almost identical colours, the burnt umber being less intense.
Painting this took ages, really. Keeping the colours in the correct order nearly drove me crazy, however I found the result was worth it. The downside is having finished the book I painted it in I now have to resort to checking a photo in my smart phone gallery if I want to refer to it.
If I remember correctly Parka shows, in the video, a number of swatches he has created over his years of reviewing all sorts of art materials. If you aren’t familiar with his reviews and video channel I can highly recommend them. You can find his website here, including all the relevant links.
More sketching today. I was pretty pleased with my first sketch of a young woman with red hair rocking a 1960’s vibe.
For those of you who were asking about my sketching kit, you can see it in this second photo.
What used to be Cafe Wednesday has, with a slight drifting of routines, now become Cafe Friday. At present I am carrying a small booklet made from an A3 page of Fabriano watercolour paper, which I stitch together and fold into an old bank bookholder (those were the days!). In the holder I also carry some home made paint dot cards and the obligatory coffee loyalty card.
I made two sketches today to fill up this current booklet, which also includes several pages from my recent trip to Taiwan (more of that later).
In September I had a two week run at the Canberra Contemporary Art Space in Manuka, showing work that had developed from my residency in Tokyo two years ago. In between visitors (good numbers of people walking in from the street), I managed several sketches from behind the desk.
I had quite some trouble sketching this morning as everyone I started to sketch got up and left. The foreground figure is a composite of several people. Thankfully the guy in the background hung around for two cups of coffee.